I have had only one formal agent during the time I've been active as a filmmaker. I'd always created my own work which obviated the need for 'job procurement' as such. That changed when my (Interview) series started attracting interest in the form of deal offers from A-list Hollywood producers. I had no idea what a story idea--the 'underlying property' as it would be designated in contracts--was worth. I felt I should get the advice and counsel of someone who did.To that end, I
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